Understanding the New York Mayor's Sartorial Statement: The Garment He Wears Tells Us About Contemporary Masculinity and a Shifting Society.
Coming of age in London during the 2000s, I was constantly immersed in a world of suits. You saw them on businessmen rushing through the financial district. You could spot them on dads in Hyde Park, kicking footballs in the evening light. At school, a cheap grey suit was our mandatory uniform. Historically, the suit has functioned as a uniform of seriousness, signaling authority and professionalism—qualities I was expected to embrace to become a "man". Yet, before recently, people my age appeared to wear them less and less, and they had all but disappeared from my consciousness.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony dressed in a subdued black overcoat, pristine white shirt, and a distinctive silk tie. Propelled by an innovative campaign, he captured the public's imagination like no other recent contender for city hall. Yet whether he was celebrating in a hip-hop club or attending a film premiere, one thing remained largely unchanged: he was almost always in a suit. Loosely tailored, modern with unstructured lines, yet traditional, his is a quintessentially middle-class millennial suit—well, as typical as it can be for a generation that rarely bothers to wear one.
"This garment is in this weird place," notes men's fashion writer Derek Guy. "It's been dying a slow death since the end of the Second World War," with the significant drop coming in the 1990s alongside "the rise of business casual."
"Today it is only worn in the strictest locations: weddings, memorials, to some extent, court appearances," Guy states. "It is like the kimono in Japan," in that it "fundamentally represents a tradition that has long ceded from everyday use." Numerous politicians "wear a suit to say: 'I am a politician, you can have faith in me. You should vote for me. I have authority.'" But while the suit has traditionally signaled this, today it enacts authority in the hope of winning public confidence. As Guy elaborates: "Because we are also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it enacts masculinity, authority and even proximity to power.
Guy's words resonated deeply. On the rare occasions I require a suit—for a wedding or formal occasion—I dust off the one I bought from a Tokyo retailer several years ago. When I first selected it, it made me feel sophisticated and high-end, but its tailored fit now feels passé. I imagine this feeling will be all too recognizable for numerous people in the diaspora whose families come from somewhere else, particularly global south countries.
Unsurprisingly, the working man's suit has fallen out of fashion. Similar to a pair of jeans, a suit's silhouette goes through trends; a specific cut can therefore define an era—and feel rapidly outdated. Consider the present: looser-fitting suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a significant investment for something likely to fall out of fashion within five years. Yet the appeal, at least in some quarters, persists: in the past year, major retailers report tailoring sales rising more than 20% as customers "shift from the suit being everyday wear towards an desire to invest in something special."
The Politics of a Mid-Market Suit
Mamdani's preferred suit is from Suitsupply, a European label that sells in a moderate price bracket. "Mamdani is very much a reflection of his upbringing," says Guy. "A relatively young person, he's not poor but not exceptionally wealthy." To that end, his moderately-priced suit will resonate with the demographic most likely to support him: people in their thirties and forties, university-educated earning middle-class incomes, often discontented by the cost of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits plausibly don't contradict his stated policies—which include a capping rents, constructing affordable homes, and free public buses.
"You could never imagine a former president wearing this brand; he's a Brioni person," observes Guy. "He's extremely wealthy and grew up in that property development world. A status symbol fits naturally with that elite, just as more accessible brands fit naturally with Mamdani's cohort."
The history of suits in politics is long and storied: from a well-known leader's "shocking" tan suit to other world leaders and their notably impeccable, custom-fit appearance. Like a certain British politician discovered, the suit doesn't just clothe the politician; it has the potential to define them.
Performance of Normality and Protective Armor
Maybe the point is what one scholar calls the "enactment of ordinariness", summoning the suit's long career as a standard attire of political power. Mamdani's specific selection leverages a studied understatement, neither shabby nor showy—"conforming to norms" in an unobtrusive suit—to help him appeal to as many voters as possible. But, some think Mamdani would be cognizant of the suit's historical and imperial legacy: "This attire isn't apolitical; scholars have long pointed out that its contemporary origins lie in imperial administration." It is also seen as a form of defensive shield: "I think if you're from a minority background, you might not get taken as seriously in these traditional institutions." The suit becomes a way of asserting legitimacy, perhaps especially to those who might doubt it.
This kind of sartorial "changing styles" is hardly a new phenomenon. Indeed historical leaders once wore three-piece suits during their early years. These days, other world leaders have started exchanging their usual fatigues for a dark formal outfit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's image, the tension between belonging and otherness is apparent."
The attire Mamdani chooses is deeply symbolic. "As a Muslim child of immigrants of Indian descent and a democratic socialist, he is under pressure to conform to what many American voters look for as a sign of leadership," notes one author, while at the same time needing to navigate carefully by "avoiding the appearance of an establishment figure selling out his distinctive roots and values."
But there is an sharp awareness of the different rules applied to who wears suits and what is read into it. "This could stem in part from Mamdani being a millennial, skilled to assume different identities to fit the situation, but it may also be part of his multicultural background, where code-switching between languages, customs and clothing styles is common," it is said. "White males can go unnoticed," but when women and ethnic minorities "attempt to gain the power that suits represent," they must carefully navigate the codes associated with them.
In every seam of Mamdani's official image, the tension between somewhere and nowhere, inclusion and exclusion, is evident. I know well the discomfort of trying to conform to something not built for me, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in public life, image is not without meaning.